By the way, this is my public blog! This is where I cross-post posts I've written that are more consciously targeted towards a public audience. The template is the same as my regular blog, though, in case you wanted to know.
blog owner
Graceface here. Sagittarius. Singaporean. MGS'01-'10. MGS Drama Society Society of Dramatic Arts '07-'10. ACS(I) 5.12'11 - 6.12'12. ACSIS '11-'12. !nk '11-'12
- Singaporean, but somewhat on the periphery of things.
- A little of a writer, editor, actress, student, etc., but mostly and above all a dreamer.
- An obsessive introspective of the self-centred and vaguely exhibitionist variety. Hence the blog.
- Obsessed with words and how they work.
- Ignorant and uncomfortably aware of it. Also in denial about it.
- Very young, very immature.
- Easily crushed by feeling.
Madame showed the six of us who went to her house yesterday this musical, Notre Dame de Paris (Notre Dame of Paris), which is based on Victor Hugo's The Hunchback of Notre Dame. Before this the class decided to also watch this comedy called "Tais-toi" which I fell asleep during, but this one had me watching the whole way through. The opening song is still my favourite.
Madame knows this entire musical by heart. She was softly singing along almost throughout the whole thing. "If you could understand the French," she said, "you would know how poetic the lyrics are." And she was right, of course. Pretty much the only parts I could understand of this whole song was "It has come, the time of the cathedrals / the world has entered / into a new millennium" (except we haven't learnt past tense yet) and "write his story / in the glass or in the stone". And there were so many other gems like "blood and wine are the same colour", "take me, take me if it is my destiny" , "he is dead from love", "I don't want to die before having loved", "Love like the night loves the day" etc etc etc. I wanted to write them all down but I couldn't remember what the subtitles said so I couldn't. In retrospect I should have probably put them down on paper rather than try typing it on my phone.
And also, the second act started with English subtitles, and even though at least five out of six of us couldn't understand more than 25% of what was going on, we decided to switch back to the French ones. The English ones just didn't fit. The translation(s) above aren't official ones; they're mine, and even though next year I'm probably going to come back and laugh at all my mistakes this is how I read them. This dissatisfaction is, in fact, corroborated by the critics who all panned the English translation of the lyrics, which are worse than those in the video, which are more literal. (Mine are as literal as a French ab initio, Google-translated, Word-Referenced student can get.)
One example would be the song "La Cour des Miracles", which is probably my second- or third- or fifth-favourite, I don't know. I word-referenced it while watching, and it literally translates to "The Court of Miracles", which I found really poetic considering these were Bohemians singing about their home i.e. the slums. I went home and found out that these "miracles" actually refer to the disease-faking beggars becoming their healthy selves once again upon returning home. So literally translating it wouldn't entirely cut it, but IMO, neither does "den of thieves". Maybe it fulfills some cultural undertone I don't understand, but something tells me no translation could really ever deliver the same effect. (And there's also a line that's translated from "La couleur de ma peau contre celle de ta peau " to "The colour of my skin next to yours", when it should really be "against"; the image is so different it leaves me wondering why they did that.)
And oh, I love this guy's voice. In the first video, I mean. And his nose. I can't get over the way they made up his nose.
Man considered with himself, for in a way, Man, mentally, was one. He consisted of a trillion, trillion, trillion ageless bodies, each in its place, each resting quiet and incorruptible, each cared for by perfect automatons, equally incorruptible, while the minds of all the bodies freely melted one into the other, indistinguishable. Man said, "The Universe is dying."
And here I am, listening to my parents arguing in their room, listening to my brother watching TV outside, listening to my sister watching YouTube videos inside, revisiting an Asimovian short story I first read when I was a little girl. I can't remember how little I was. Surely not older than fourteen.
I can't believe the opportunity I've been presented with here, a possibility that arrests me for hours in the car and on the bus and just recently has got me sketching on the ruins of my Math Port rough work. I can't believe that I'm going to revisit this story in the way I'm going to, with so many passionate and talented people if it all works out, and maybe just a few if it doesn't.
I don't know, but I've got so many ideas now and it's so incredibly exciting. I wonder how many of you have already guessed what on earth I'm talking about. I hope I've been vague enough. Stay tuned, I suppose.
This was the article I originally submitted to !NK. Before they changed it. Before they added six paragraphs to it, completely changed the ending, turned the tone on its head and made me almost happy that I didn't get credited for it at all. Without ever once consulting or notifying me that this was taking place. I only knew what had happened when I finally got my hands on the issue last Thursday. And I know that I'm applying for !nk EXCO (starting to reconsider now) and this might jeopardise my chances, but if I do get into exco anyway, this is the sort of thing I'm going to fix.
So, read this if you want. I hope you like it better.
Minority Report: Being a Girl in a Boys' School
Last week, for the first time in three months, I found myself sitting at a table that consisted exclusively of girls.
This wasn’t actually in ACSI, mind you. I was in a canteen outside of school, and it just so happened that all the people at my table were ACSIans, and that they were all girls. In addition, all the girls at this table just so happened to previously be from single-sex schools.
“Do you remember,” one girl asked, “what it was like on the first day of orientation? You know, with all the… boys?”
Indeed, we did.
For most of us at that table, our first memory of that first day of school was standing in the parade square, struck dumb by the fact that in front of us was not a sea of girls, but boys. Standing there for a full minute, taking in the sight of the most boys that we had ever seen at one place in our lives. Standing there with only one thought flashing through our minds: “Oh my God we are the minority here.”
ACS (Independent) is not a junior college. It is a secondary school. More importantly than that, it is, in principle, a boys’ school. In what is probably direct result of this fact, ACSI has a gender ratio of approximately 4:1 – in other words, for every four boys, there is one girl. In addition, owing to the established popularity of single-sex secondary schools in Singapore, most girls that enter ACSI are crossing over from a community consisting almost exclusively of the female gender.
Needless to say, us entering a boys’ school from a girls’ school was akin to a petri dish of bacteria being plunged into a boiling water bath.
The five of us at that table talked for a long time. It’s a loss of freedom, one said, in a way. The loss of the ability to talk about things that we could without a thought in our previous schools. The loss of the ability to laugh or squeal as loud as we wanted to, or even to sit in the ways that we used to (after one term, the average percentage of girls sitting cross-legged goes from 50% to 85%). Somehow migrating from a homogenous society to a more heterogeneous one automatically imposes some sort of restraint upon our mouths and our thinking, that there are some things that are just not done to be thought about in front of the opposite sex.
Or maybe it’s more of the birth of a new fear, said another. The fear of the unknown. The fear that something we say or do could somehow end up offending these marvellous yet strange creatures that we have encountered, and hence remove the pardon that they have granted us to join their numbers. Perhaps it is the sort of uncertainty that comes with learning how to speak a whole new language, that one thing we say that makes complete sense to us might translate to something completely different for them, perhaps something vulgar. We have no choice but to tie our tongues and proceed with an uncomfortable caution.
“I miss this,” said the last girl at the table, with a sad smile on her face. “I miss being able to talk about all this.”
We all nodded slowly. Then we finished our food, and then we left.
There was nothing more to say, after all, and nothing more that we could do. In the end, being a minority was something that we were all going to have to live with.
- Go to UStudios with ACSIS to celebrate the birthdays of Carolyn, Danyal and myself
- Go for Prom 2012
- Drink some amount of alcohol for my 18th birthday
After That (Small Things)
- Write a fanfiction if I haven't done that already
- Play MapleStory again
- Play Audition again
- Watch a series (Game of Thrones, House, Sherlock, an anime, I don't even know)
- Learn how to cook
After That (Big Things)
- Post-IB production
- Edit the only finished novel I've ever written
- Write that collab with Sheralyn
- Write something else?
- Apply for universities
- Apply for scholarships
Books to Read
- 1984 by George Orwell [unfinished]
- Atlas Shrugged by Ayn Rand [not started]
- Good Omens by Terry Pratchett & Neil Gaiman [not started]
- Norwegian Wood by Haruki Murakami [not started]
- Dubliners by James Joyce [the whole thing; unfinished]
- Ulysses by James Joyce [not owned]
- The Sandman series by Neil Gaiman [not owned]
- Watchmen by Alan Moore [not owned]
- V. by Thomas Pynchon [unfinished]
- Anna Karenina by Leo Tolstoy [a proper read; unfinished]
- The Coffin That Wouldn't Bury by Jeffrey Lim [unfinished]
- Brave New World by Aldous Huxley [not started]
- Written on the Body by Jeanette Winterson [not owned]